庄子生态美学思想探赜--以《齐物论》为中心文本  

An Exploration of Zhuangzi’s Eco-Aesthetic Thoughts in Qiwulun

作　　者：韩知霖 HAN Zhiin(Department of Philosophy,Wuhan University)

机构地区：[1]武汉大学哲学学院

出　　处：《南京林业大学学报（人文社会科学版）》2023年第6期94-107,共14页Journal of Nanjing Forestry University(Humanities and Social Sciences Edition)

基　　金：国家社会科学基金艺术学重大项目“中国传统艺术史知识体系研究”(21ZD08)。

摘　　要：庄子有深邃的生态美学思想,有研究注意到这一点,却尚未对其在美、审美与艺术这三个美学基础论域所具备的丰富内涵进行全面揭示。以《齐物论》为中心文本,可将庄子的生态美学思想划分为三条交织并行的关键脉络。第一,生态美思想:美在自然整体。美是和谐的自然整体或自然整体的和谐。第二,生态审美思想:直观自然本貌。人们应当通过滤除或者“悬置”先见、偏见与成见,如其所是地观照自然。第三,生态艺术思想:艺术师法自然。艺术家应当通过顺其自然的艺术创作,完成自然天成的艺术品。总体来说,自然在庄子的语境中是一个拥有崇高地位的本源性存在,对美、审美与艺术均具有规定性。从生态美思想、生态审美思想与生态艺术思想三重向度对庄子的生态美学思想进行系统梳理,可为中国生态美学学科的理论建构乃至生态文明建设的实践深化传递来自中国经典思想资源的启示。Zhuangzi has profound eco-aesthetic thoughts.Some studies have noticed this,but have not fully revealed its rich connotation in the three fundamental fields of aesthetics:beauty,appreciation and art.Based on Qiwulun,Zhuangzi’s eco-aesthetic thoughts can be divided into three interwoven and parallel key aspects.First,the thought on ecological beauty.In Zhuangzi’s view,beauty lies in the harmonious overall nature,or the harmony of the overall nature.Second,the thought on ecological aesthetics.In Zhuangzi’s view,humans should view nature as it is by removing or suspending prejudices and preconceptions.Third,the thought on ecological art.In Zhuangzi’s view,art is inspired by nature.Artists should create natural works through natural creation,which means abandoning deliberate carving and embellishment.On the whole,nature,according to Zhuangzi,is an original being with an exalted status,prescriptive of beauty,aesthetics and art.The systematic study of Zhuangzi’s eco-aesthetic thoughts from the three dimensions above can convey the enlightenment from Chinese traditional thought resources for the theoretical construction of Chinese ecological aesthetics and the practical construction of Chinese ecological civilization.

关 键 词：庄子 生态美学 《齐物论》 

分 类 号：B223.5[哲学宗教—中国哲学] X2[环境科学与工程—环境科学]