藏族农牧舞蹈文化的当代表达与呈现  

Contemporary Expression and Presentation of Tibetan Farming and Animal Husbandry Dance Culture

作　　者：蒙雨萱 Meng Yuxuan(School of Dance,Nanjing University of the Arts)

机构地区：[1]南京艺术学院舞蹈学院

出　　处：《藏舞蹈学》2023年第1期238-252,361-363,共18页

摘　　要：民族传统文化栖身于时代语境的现象已成为当代民族舞蹈作品编创的一种既定趋势。由民族原生本身及其传统文化所衍生的舞蹈文化形式,即为当代舞蹈创作中必不可少的立意选择与内容表现。藏族是中华民族大家庭中尤擅歌舞的古老民族,由此发源的民族传统舞蹈文化亦为中华文化百花园中的珍贵瑰宝。回首往昔十年中藏族民间艺术舞台化的创编与呈现,以藏族农牧文化及其内在文化典型作为建构底色与意蕴基奠的当代舞蹈作品大有可观,此类作品在延续民族优秀传统文化的同时亦彰显出举足轻重的现实意义。The phenomenon of traditional national culture living in the context of the times has become an established trend of contemporary ethnic dance works.The dance culture form derived from the national primitive itself and its traditional culture is the essential choice and content expression in contemporary dance creation.The Tibetan nationality is an ancient nation that is good at singing and dancing in the big family of the Chinese nation.The traditional dance culture originated from this nationality is also a precious treasure in the garden of Chinese culture.Looking back on the creation and presentation of Tibetan folk art stage in the past ten years,there are a great number of contemporary dance works based on Tibetan farming and animal husbandry culture and its internal cultural typical as the construction background and connotation.Such works not only continue the excellent traditional culture of the nation,but also highlight the pivotal practical significance.

关 键 词：农牧文化类型 民族民间舞蹈 民族文化内涵 当代舞蹈编创 

分 类 号：G63[文化科学—教育学]