道在戏谑——论徐渭对戏曲戏谑趣味的自觉追求  

Xu Wei’s Conscious Pursuit of Opera Interest

作　　者：何厚耀 何萃 HE Houyao;HE Cui

机构地区：[1]扬州大学文学院,扬州225000 [2]扬州大学,扬州225000

出　　处：《浙江艺术职业学院学报》2023年第4期21-27,共7页Journal of Zhejiang Vocational Academy of Art

基　　金：江苏省社科基金一般项目“中国古典戏剧结构体制对戏剧叙事的规约研究”(项目编号:20ZWB005);江苏高校哲学社会科学研究一般项目“文体结构规约下的中国古典戏剧叙事研究”(项目编号:2020SJA1988)阶段性成果。

摘　　要：徐渭的戏曲评点表现出对戏曲趣味性的重视,他认为趣味性是戏曲中不可或缺的特征。而这种趣味,正是“没正经”的、戏谑的喜剧趣味。在戏曲创作中,徐渭抱着戏谑游戏的态度,在作品中安排了大量的喜剧性情节,着意利用对比反差来强化喜剧效果,并且特别注重“净”“丑”等喜剧性脚色的运用。徐渭为传统士大夫阶层所拒绝而不可避免地去融入市民阶层,他接受了阳明心学,并且他本人性格喜好戏谑,将戏曲视为一种从现实苦难中解脱的手段,这些都为他追求戏曲的戏谑趣味提供了有利条件。Xu Wei’s comments on opera show that he attaches great importance to the interest of opera,which he thinks is an indispensable feature of opera.And this kind of interest is the“no serious”,joking comic taste.In his drama creations,Xu Wei arranged a large number of comedic plots in his works with an attitude of joking and playing games,emphasized the use of contrast to strengthen the comedic effect,and paid special attention to the use of come⁃dic characters such as“Jing”and“Chou”.Xu Wei was rejected by the traditional literati class and inevitably inte⁃grated into the citizen class,he accepted the theory of Yangming’s mind.He liked to play jokes and regarded opera as a means to get rid of the real suffering,which provided favorable conditions for him to pursue the fun of opera.

关 键 词：徐渭 戏曲 趣味性 脚色 

分 类 号：J801[艺术—戏剧戏曲]