皮埃尔·居约塔《白痴》中的身体书写  

Body Writing in Pierre Guyotat's Idiotie

作　　者：焦宏丽[1] Jiao Hongli(School of Foreign Languages and Literature,Shandong University,Jinan,China,250100)

机构地区：[1]山东大学外国语学院

出　　处：《当代外国文学》2023年第4期72-78,共7页Contemporary Foreign Literature

基　　金：山东省社会科学规划研究项目(22CWWJ05)的阶段性成果。

摘　　要：皮埃尔·居约塔因非同寻常的写作在法国文坛备受争议。在自传体小说《白痴》中,作者描述了一个青年的成长和从军经历。大量的感官体验、细微的场景描写、先锋的文学语言,使得这部作品具备了独特的张力。本文拟结合梅洛—庞蒂的身体现象学以及克里斯蒂娃、罗兰·巴特等后现代派理论家的身体书写理论,对《白痴》进行深入解读,以期为国内读者进一步了解这位独树一帜的法国作家开辟一条新通道。Pierre Guyotat has been a controversial figure in French literature for his aberrations in writing.In his autobiographical novel Idiotie,the author gives us an account of a young man's upbringing and his experience in the army,creating a unique tension with details of extensive sensory experience,subtlety of scenes,and a pioneering literary language.This article intends to offer a new reading of Idiotie in the light of Merleau-Ponty's phenomenology of the body and postmodern theories of body writing proposed by Julia Kristeva and Roland Barthes.

关 键 词：皮埃尔·居约塔 《白痴》 身体书写 感官体验 

分 类 号：I565.074[文学—其他各国文学]