“科罗曼德尔”屏风在法国旧政风格时期的发展研究  

Research on the development of the Coromandel Screen in the period of the Old Politics style in France

作　　者：索浩楠 孙海平 SUO Hao-nan;SUN Hai-ping

机构地区：[1]河南科技大学艺术与设计学院,河南洛阳471000 [2]昆明学院美术与艺术设计学院,云南昆明650214

出　　处：《中国生漆》2023年第4期7-11,共5页Journal of Chinese Lacquer

基　　金：昆明学院科学研究资助项目“创新性漆艺产品开发研究”(XJZZ1614)阶段性研究结果。

摘　　要：本文考察了款彩屏风在法国旧政风格时期的演进阶段:巴洛克时期被当作家具或墙饰嵌板;洛可可时期被拆分后制作成欧式家具;最终糅合本土风格,形成了独特的“科罗曼德尔式”的风格。款彩屏风的发展过程展现了:欧洲宫廷是如何将东方器物的审美易趣逐渐消化接受,并形成具有异域风情的传统家具装饰。款彩屏风最终随着欧洲文化复兴浪潮下新古典主义的兴盛而迅速衰落,也明显表现出欧洲人对于中国趣味的好奇探索的本质依旧是他者眼光和宫廷时尚杂揉的表现。This article examines the evolution stage of the coromandal screen style in the period of the French old politics style:In the Baroque period it was used as furniture or wall panels;The Rococo period was split and made into European style furniture;The result is a blend of local styles,forming a unique“Coromandel”style.The development process of the Coromandal screen style shows how the European court gradually digested and accepted the aesthetic taste of Eastern artifacts,and formed traditional furniture decoration with exotic flavor.The Coromandal screen style eventually declined rapidly with the rise of neoclassicism under the wave of European cultural Renaissance,which also clearly shows that the essence of Europeans’curious exploration of Chinese tastes is still the mixed of others’taste and court fashion.

关 键 词：“科罗曼德尔”屏风 漆器 中国趣味 旧政风格 本位意识 

分 类 号：TS664.0[轻工技术与工程] J537[艺术—艺术设计]