弗莱美学思想的中国古典艺术渊源  

The Origin of Chinese Classical Art in Frye’s Aestheticism

作　　者：邱蓓 Qiu Bei(School of Foreign Languages,Shenzhen Technology University,Shenzhen 518118,China)

机构地区：[1]深圳技术大学外国语学院,广东深圳518118

出　　处：《齐鲁师范学院学报》2023年第6期151-156,共6页Journal of Qilu Normal University

基　　金：广东省哲学社会科学规划项目(批准号:GD23HWW02);深圳技术大学新引进高精尖缺人才科研启动项GDRC202216阶段性成果。

摘　　要：英国美学家罗杰·弗莱(Roger Fry,1866-1934)提出了后印象主义美学思想,开创了英国现代主义之先河,对人们的审美理念产生了巨大的影响力。弗莱晚年对中国古典艺术作品进行观察和研究,在这个过程中受到中国传统文化的启发,认识到审美情感在艺术作品中的重要性。以此为基础,他修正了原有的艺术理念,把“感知力”和“活力”认定为艺术的两大要素。他把中国艺术中的“线条韵律”看作感知力的源泉,把中国艺术作品创作的总原则“气韵生动”视为“活力”的代名词。可以看出,弗莱在建构形式主义理论的时候把中国元素注入到了他的理论中,用中国古典艺术充实了他的形式主义美学思想。Roger Fry,the British aesthetician,proposed formalism aesthetics ideology,which developed into the British modernism and had a huge influence on people’s aesthetic concept.In his late-life observations and studies of classical Chinese works of art,Fry was influenced and inspired by the Chinese traditional culture and realized the importance of emotion in the artwork.On this basis,he amended his original artistic concept,and regarded sensibility and vigor as the two elements of art.He stressed that the linear rhythm or the brush manner in Chinese art is the source of sensibility,and“Chi yun sheng tung”,which is the general principle of the creation of Chinese art,is a synonym for“vitality”advocated by him.In a word,Fry fused the elements of Chinese Art into his theory when constructing the formalism theory.So his theory has a profound association with the classical Chinese art.

关 键 词：弗莱 形式主义美学 中国古典艺术 感知力 活力 

分 类 号：B835[哲学宗教—美学]