北方草原游牧民族传统家具造物及多元文化探析  

Analysis on Traditional Furniture and Multi-Culture of Prairie Nomadic Peoples in North China

作　　者：雷青[1,2] 张欣茹 Lei Qing;Zhang Xinru

机构地区：[1]内蒙古师范大学设计学院,内蒙古呼和浩特010020 [2]设计与社会创新内蒙古高校人文社科重点研究基地,内蒙古呼和浩特010020

出　　处：《家具与室内装饰》2024年第1期28-35,共8页Furniture & Interior Design

基　　金：内蒙古哲学社会科学规划重点项目(2020NDA052);内蒙古社会科学基金项目(2022EY12)。

摘　　要：北方草原传统家具造物根植于特有的游牧文化土壤,具有强烈的地域特征,折射出游牧民族独特的民俗文化、审美偏好与信仰观念,并因展示多元文化融合的演进历程而具研究价值。文章通过实物、图像及文献资料对其进行历史溯源与演化梳理;以其所处的建筑空间与文化场域为视角,解读毡庐场域、府衙场域及寺庙场域所用家具在功能性质、工艺构造及装饰技艺等方面的造物特征;结合北方草原自然地理环境与人文社会变迁,分析与探讨传统家具造物中多元文化的互动与共存;亦可佐证北方草原游牧民族传统家具不仅是游牧文化本身影响使然,也是该地区跨地域多元文化交融与跨文化多元信仰共存的结果。The traditional furniture creation in the northern grassland is rooted in the unique nomadic cultural soil and has strong regional characteristics,reflecting the unique folk culture,aesthetic preference,and belief concept of the nomadic people.It also has research value because it shows the evolution of multi-cultural integration.It traces its historical origin and combs its evolution through objects,images,and documents.From the perspective of the architectural space and cultural field,the paper interprets the creative characteristics of the furniture used in the felt cottage field,the government office field,and the temple field in terms of functional properties,technological structure,and decorative skills.Combined with the natural geographical environment of the northern grassland and the changes in human society,the paper analyzes and discusses the multi-cultural interaction and coexistence in traditional furniture creation.It can also prove that the traditional furniture of nomadic people in the northern steppe is not only the influence of nomadic culture itself but also the result of cross-regional multicultural integration and cross-cultural multi-belief coexistence in the region.

关 键 词：北方草原 传统家具造物 游牧文化 多元文化 

分 类 号：TS664.1[轻工技术与工程]