神话故事下主体在插画表现中的视觉设计研究  

Research on Visual Design of Subject in Ilustration under Myth

作　　者：陈志莹[1] 赵紫微 Chen Zhiying;Zhao Ziwei(School of Art&Design,Tianjin University of Technology,Tianjin 300384,China)

机构地区：[1]天津理工大学艺术学院,天津300384

出　　处：《艺术与设计（理论版）》2024年第1期29-32,共4页Art and Design

摘　　要：针对探索神话文学转化为插画语言的设计难点,助力设计师自我风格意识的崛起。文章通过提炼主体形象对观者视觉的主导意义,分析其价值功能、角色吸引和风格定位,梳理插画表现的视觉设计思路,进行神兽《除夕》和神话传说《盘古开天》两个不同类型主体的设计创新。在其画面布局、造型设计、色彩选择和线条变化的设计实践基础上,创造出具有设计师自我风格的插画作品,对神话传统文化更贴切地融入时代具有启发性的传承意义。Aiming at exploring the design difficulties of transforming mythic literature into illustration language,it helps the rise of designers'self-style consciousness.By refining the dominant significance of the subject image to the viewer's vision,analyzing its value function,role attraction and style orientation,sorting out the visual design ideas of illustration,and carrying out the design innovation of two different types of subjects:the divine animal"New Year's Eve"and the myth and legend"Pangu Kaitian'.On the basis of the design practice of picture layout,shape design,color selection and line change,the illustrator works with the designer's own style are created,which is of enlightening inheritance significance for the mythological traditional culture to more appropriately integrate into TheTimes.

关 键 词：神话 主体形象 插画表现 视觉设计 传统文化 

分 类 号：J045[艺术—艺术理论]