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作 者:孙艳华 SUN Yanhua(School of Foreign languages,Huaiyin Normal University,Huai'an,Jiangsu,223300,China)
机构地区:[1]淮阴师范学院外国语学院,江苏淮安223300
出 处:《日本问题研究》2023年第6期62-71,共10页Japanese Research
基 金:江苏省社科基金一般项目“泉镜花与中国文学关系研究”(22WWB008)。
摘 要:作品译介是文学互鉴与对话的重要路径,也是衡量一个国家文学影响力的主要尺度。目前,学界对于日本近代翻译、改编中国文学典籍的整体把握与个案挖掘尚有待提升。日本近代作家泉镜花的13篇译作及翻案作品共涉及38个中国古典文学文本。毋庸置疑,这些译作及翻案作品为日本民众阅读、接受、传播中国古典文学作品,扩大其影响起到促进作用。作为文学互鉴与对话的个案之一,细勘泉镜花翻译、翻案作品对于完善明治、大正时期的中日文学交流状况不无裨益。The introduction of works is an important path for literary exchange and dialogue,as well as a primary measure of assessing the literary influence of a country.Currently,there is still room for im-provement in the overall understanding and individual case excavation of the translation of Chinese classical literature into modern Japan.Thirteen translated and adapted works by Izumi Kyoka,a modern Japanese writer,involve a total of 38 texts from Chinese classical literature.Without a doubt,these translated and adapted works play a promoting role in enabling the Japanese people to read,accept,and disseminate Chi-nese classical literary works,thereby expanding their influence.As one of the cases of literary exchange and dialogue,a detailed examination of Izumi Kyokas translated and adapted works would undoubtedly contribute to a better understanding of the literary exchange between Japan and China during the Meiji and Taisho periods.
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