艺术本质追问下的“艺术终结论”再思考  

Rethinking“the End of Art”from the Aspect of the Essence of Art

作　　者：白昳晗 BAI Yihan(Hebei University,Baoding 071000,China)

机构地区：[1]河北大学艺术学院,河北保定071000

出　　处：《天中学刊》2024年第1期113-119,共7页Journal of Tianzhong

摘　　要：黑格尔美学思想重要命题之一的“艺术终结论”诞生于19世纪初,引发了后世学者的广泛讨论且存在颇多争议。将“终结”一词置于黑格尔的哲学思想中进行分析,可知黑格尔并没有否定艺术的价值,“艺术终结”也并非意味着艺术的消亡或被取代,而是指艺术功能和地位的变化。艺术作为人类沟通心灵、交流情感的载体,其本质在于人类情感的创造性表达,具备无限开放的意义生成和永无止境的发展空间。“艺术终结论”诞生以降的艺术实践证明,艺术伴随人类的精神需求而变化演进,不断涌现的多元化新兴艺术形式实现着对艺术本身规定性的解构,其所引发的每一次对艺术本质的追问都为探索艺术与真理之间的关系提供了新的思考。One of Hegel's controversial aesthetic thought---“The End of Art”in the early 19th century sparked a wide-ranging debate.According to Hegel's philosophical thought,we know that Hegel didn't deny the value of art,and“The End of Art”didn't mean the disappearance or replacement of art,but the change of art's function and status.Art,as a medium for human communication of the soul and exchange of emotions,has its essence in the creative expression of human emotions,and has an infinitely open meaning generation and endless development space.The artistic practice since the birth of“The End of Art”thesis proves that art changes and evolves with human spiritual needs.The emergence of diverse and innovative forms of art achieves the deconstruction of the predetermined nature of art itself,and each time it raises questions about the essence of art,it provides new insights for exploring the relationship between art and truth.

关 键 词：黑格尔 艺术终结论 艺术本质 自由艺术 

分 类 号：J02[艺术—艺术理论]