女性主义叙事学的跨学科轨迹  

The Interdisciplinary Trajectory of Feminist Narratology

作　　者：胡全生[1] HU Quansheng

机构地区：[1]上海交通大学外国语学院

出　　处：《广东外语外贸大学学报》2024年第1期38-50,共13页Journal of Guangdong University of Foreign Studies

基　　金：国家社会科学基金重点项目“《劳特利奇叙事理论百科全书》的翻译与研究”(19AWW001)。

摘　　要：时至21世纪,女性主义叙事学“依旧不是一种单一或说独特的叙事学工程”,而是一种跨学科叙事学工程。它的发展轨迹,是在跨学科中诞生、在跨学科中发展、在跨学科中壮大的轨迹,大致可划分为四个阶段,即跨学科中诞生阶段——性别介入,进入酷儿研究阶段——酷儿兴起,跨学科中拓展阶段——交叉性深化,跨学科中壮大阶段——具身认知拓展。它的未来,或如兰瑟所希望的,能够“随着身体以新的、挑战的方式自行介入”,“来点变革”,或如其文的副标题所示,给女性主义叙事学来点“具身叙事学”。Even in the 21st-century,feminist narratology“is still not regarded as a separate or distinct project in narratology”,but as an interdisciplinary project.Its developing trajectory is one that is born,extended,and magnified interdisciplinarily or transdisciplinarily,and can be roughly divided into four interdisciplinary stages,namely,the birth stage-gender intervening(1986-1995),the queering stage-queer rising(1996-2005),the extending stage-intersection deepening(2006-2017),the magnifying stage-embodied cognition expanding(2018-present).As Lanser wonders,the future of feminist narratology could“have a transformative place”as“the body intrudes itself in new and not always welcome ways”,or as the subtitle of her text indicates,it could have an“embodying narratology”.

关 键 词：女性主义叙事学 发展轨迹 跨学科 具身认知 

分 类 号：I054[文学—文学理论]