创意写作是否可以更具创意性——从《科学思维中的意象》说起  

Can Creative Writing Be More Creative?——Starting from Imagery in Scientific Thought

作　　者：谢尚发 Xie Shangfa(Shanghai University)

机构地区：[1]上海大学文学院

出　　处：《写作》2024年第1期19-26,共8页Writing

摘　　要：当下中国创意写作的“繁荣”背后隐藏着学科内部发展的危机,需要研究者深入创意写作的学科体系内部去清理相关问题。米勒《科学思维中的意象》一书以19世纪末与20世纪科学史发展为对象,提出了认识论、直观性、科学思维的美学规则、创意性思维等话题,给创意写作的理论研究带来启发。创意写作的理论研究本身要构建独特的哲学视野,也要在想象、创意、认识论等方面形成较为深入的研究,从而真正体现创意写作的创意性及其无极限的特征。Behind the current prosperity of creative writing in China lies the crisis of internal disciplinary development,which calls on researchers to delve deeper into the disciplinary system of creative writing and clean up related issues.Miller’s book Imagery in Scientific Thought focuses on the development of scientific history in the late 19th and 20th centuries,proposing topics such as epistemology,intuitionism,aesthetic rules of scientific thinking,and creative thinking,providing inspiration for the theoretical research of creative writing.The theoretical research of creative writing needs to build a unique philosophical perspective,and also form a more in-depth research in imagination,creativity,epistemology,and other aspects,engaged in truly reflecting the creativity and limitless characteristics of creative writing.

关 键 词：创意写作 认识论 创意性思维 《科学思维中的意象》 

分 类 号：H315[语言文字—英语]