庄子的精神生命论及其艺术观探析  

An Analysis of Zhuangzi’s Spiritual Life Theory and Its Artistic Perspective

作　　者：黄杨 HUANG Yang(School of Humanities,Jinling Institute of Technology,Nanjing 211171,China)

机构地区：[1]金陵科技学院人文学院,南京211171

出　　处：《山东青年政治学院学报》2024年第2期105-111,共7页Journal of Shandong Youth University of Political Science

摘　　要：庄子认为有至高艺术的存在,它是崇高的自然美,人通过体会至高艺术能够提升自己的精神生命。庄子重视人的精神,认为人的精神生命的美可以胜过物质生命的丑。这一点是庄子审美观的基础。庄子由此认为人应该成为“艺术的人”,向内寻求艺术之美,而非借助外在的艺术形式来追求美。庄子将这种内含美的“艺术的人”称之为真人,这种人能够达到庄子所向往的“道”与“美”的至高境界。Zhuangzi believes that there is a supreme art,which is a lofty natural beauty,and people can enhance their spiritual life by experiencing the supreme art.Zhuangzi attaches great importance to human spirit and believes that the beauty of human spiritual life can surpass the ugliness of material life.This is the basis of Zhuangzi’s aesthetic view.Therefore,Zhuangzi believed that people should become“artistic people”and seek the beauty of art from the inside,rather than pursue beauty with the help of external artistic forms.Zhuangzi calls this kind of“artistic person”with beauty as a real person,who can reach the highest realm of“Tao”and“beauty”that Zhuangzi yearns for.

关 键 词：庄子 艺术 审美观 精神生命 生命美学 

分 类 号：J01[艺术—艺术理论]