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作 者:谭好哲[1] Tan Haozhe
机构地区:[1]山东大学文艺美学研究中心
出 处:《中国文艺评论》2024年第2期70-80,I0002,I0003,共13页China Literature and Art Criticism
基 金:2015年度国家社科基金特别委托项目“中华传统文化的创造性转化与创新性发展”(项目批准号:15@ZH016)的阶段性成果。
摘 要:黄药眠是20世纪五六十年代“美学大讨论”最初的积极参与者和推动者,在与朱光潜、蔡仪等人美学观点的批判性对话与争鸣中提出了“美是人对于客观事物的审美的评价”的观点。“美是评价”的观点将美学问题的研讨置于唯物主义的立场和方法论之上,以“美是人类社会生活现象”的基本论断为理论逻辑前提,提出并阐发了美以人的存在而存在、“审美现象首先应从生活与实践中去找寻根源”、“美是人对客观世界的主观的把握”三大理论主张。这些观点和主张在当时占据主流形态的认识论美学范式笼罩之下发出了价值论美学研究的先声,对中国当代美学研究的学术创新和自主知识体系建构具有理论借鉴和启示意义。As an active participant and promoter of the“Great Discussion on Aesthetics”in the 1950s and 1960s,Huang Yaomian put forward the idea that“beauty is a person’s aesthetic evaluation of objective things”in the critical dialogues and disputes on aesthetic issues with Zhu Guangqian,Cai Yi,and others.His viewpoint of“beauty being the evaluation”places the discussion of aesthetic issues on the standpoint and methodology of materialism,with the basic assertion that“beauty is a phenomenon of human social life”as the theoretical and logical premises,proposing and expounding three major theoretical propositions:beauty exists with the existence of human beings,“the roots of aesthetic phenomena should first be found in life and practice”,and“beauty is a person’s subjective grasp of the objective world,”which under the epistemological aesthetic paradigm dominating at that time herald the study of aesthetic theory of value,and have the significance of theoretical reference and revelation to the academic innovation of contemporary aesthetic studies and the construction of China’s autonomous knowledge system.
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