从多元系统论看嘻哈音乐中的“nigger”一词  

The Analysis of Word"Nigger"in Hip-Hop/Rap Music under the Polysystem Theory

作　　者：刘杨鑫 LIU Yangxin(School of Foreign Languages,Jiangsu Open University,Nanjing Jiangsu,210036,China)

机构地区：[1]江苏开放大学外国语学院,江苏南京210036

出　　处：《文化创新比较研究》2024年第3期26-30,共5页Comparative Study of Cultural Innovation

摘　　要：美国黑人发展了独特的黑人文化,如街舞、街头涂鸦和嘻哈音乐等。其中,嘻哈音乐(Hip-Hop/Rap Music)是一种由美国黑人创造、推广和表演的音乐类型,也是当今世界流行乐坛最广为传播的音乐类型之一。然而,在这种音乐中,黑人歌手会在他们的歌曲里直接使用“nigger”(黑鬼)。“Nigger”作为一个被赋予了明显文化和种族特征的词,对美国黑人而言是带有贬义的禁忌语。但是,在嘻哈音乐中使用“nigger”已成了一种约定俗成的可接受行为。佐哈尔的多元系统论可以对这一现象存在的原因及其潜在后果展开分析,并对了解其他世界文化的发展有所启迪。African Americans have developed a unique and popular culture,covering street dance,graffiti,and Hip-Hop/Rap music,a genre created,popularized,and mostly performed by the said group.In Hip-Hop/Rap music,it can be noticed that African American artists will directly use"nigger"in their songs.However,"nigger"is one word endowed with obvious cultural and racial characteristics,a taboo offensive to African Americans.Even-Zohar's Polysystem Theory can help analyze why the phenomenon exists and what it will cause,thus achieving a better understanding of world culture.

关 键 词：多元系统论 “nigger” 美国黑人 嘻哈音乐 归化 世界文化 

分 类 号：J605[艺术—音乐] G05[文化科学]