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作 者:张震 马晓虹[1] ZHANG Zhen;MA Xiao-hong(College of Literature,Northeast Normal University,Changchun 130024,China)
出 处:《哈尔滨工业大学学报(社会科学版)》2024年第2期102-107,共6页Journal of Harbin Institute of Technology(Social Sciences Edition)
摘 要:朱彝尊存词五百余阙,其节序词数量众多且蕴含丰富的文化意蕴,以节序词为索引,可以窥见不同历史阶段和语境下朱彝尊的创作心态,且朱彝尊之词取法南宋,尤推姜张,体现出词学宗尚上的去经典化特征。朱彝尊通过对词体形式进行规范,达到复归醇雅的目的,集中体现在他对于字句的锤炼和典故的化用,这些都推动了朱彝尊节序词的再经典化。在这样一个建构—解构—重构的过程中,朱彝尊的节序词引领了清中后期节序词的风格走向,同时可以领略节序文学作为中国传统文化的不朽魅力。Zhu Yizun has more than 500 ci,with a large number of forewords and rich cultural implications.Taking the forewords as the index,we can get a glimpse of Zhu Yizun s creation mentality in different historical stages and contexts.Moreover,Zhu Yizun ci is based on the style in Southern Song Dynasty,especially adore Jiang Zhang,which reflects the characteristics of declassics in Ci study.By standardizing the form of ci,Zhu Yizun achieved the goal of restoring elegance,which was embodied in his refining of the words and the application of allusions,thus promoting the re-classization of Zhu Yizun s forewords.In such a process from construction and deconstruction to reconstruction,Zhu Yizun s forewords led the style trend of forewords in the middle and late Qing Dynasty.At the same time,we can appreciate the immortal charm of forewords literature as traditional Chinese culture.
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