中国传统意象理论在明清的总结性发展  

Ming and Qing Dynasties:A Summary Period of Traditional Chinese Imagery(Yixiang)Theory

作　　者：简圣宇 JIAN Shengyu

机构地区：[1]扬州大学美术与设计学院

出　　处：《中国政法大学学报》2024年第2期289-304,共16页Journal Of CUPL

基　　金：2020年国家社科基金“中国传统意象理论的现代阐释研究”(项目编号:20BZX131)的阶段性成果。

摘　　要：明清两代是中国传统意象理论的总结期。中国传统意象理论的完备性和体系性在该时段达到古代社会的最高峰,同时也已到达其自然发展的极限。明清文人将之前积累下来的范畴、命题、理念和理论进行了概括、总结和优化,但主要是以经验主义和实用主义的态度对之加以运用,缺乏具有逻辑性、思辨性的深入探究意识,同时也未能建构起一套具有现代学科范式的理论体系。这些问题在20世纪也促使诸多学者借助现代学科资源,通过重新发现和使用传统文化资源的方式来实现对传统意象理论的继承和发展。The Ming and Qing dynasties are the summarizing periods of traditional Chinese imagery(Yixiang)theory.The completeness and systematicity of traditional Chinese imagery(Yixiang)theory reach its peak in ancient society during this period,while it also reaches the limit of its natural development.Ming and Qing literati summarized and optimized the categories,propositions,concepts,and theories accumulated from previous generations.But they mainly applied them with an attitude of empiricism and pragmatism,but lacked the in-depth exploration with logical and critical consciousness,and also failed to construct a theoretical system with a modern disciplinary paradigm.These issues also prompt many scholars in the 2oth century to use modern disciplinary resources to rediscover and utilize traditional cultural resources to inherit and develop the traditional imagery(Yixiang)theory.

关 键 词：明清 意象 景 概念 学科 

分 类 号：I01[文学—文学理论]