社会文化理论视域下的《金阁寺》主人公的悲剧探微  

The protagonist's tragedy in The Golden Pavilion from the perspective of sociocultural thcory

作　　者：胡莉蓉 Hu Lirong

机构地区：[1]运城学院外语系

出　　处：《西安外国语大学学报》2024年第1期124-128,共5页Journal of Xi’an International Studies University

摘　　要：《金阁寺》中,主人公的口吃是其内心的自我认知与外部社会身份失衡的结果。作为一种存在表征,口吃又强化了他与外界的疏离,构成其“不被理解”的生存体验。出于对美和绝对者的欲望,主人公试图与金阁建立同一,却被迫成为他者注视下的耻辱性存在。于是,“我”在雪中踩踏红衣娼妇的举动便可视作一次毁灭证人的暴力操演。面对外部现实,主人公一直在“认识”与“行为”之间摇摆。当意识到二者的辩证统一性之后,他火烧金阁的举动与其说是毁灭美,毋宁说是在绝望中用徒劳的行为构建一种悲剧性的虚无之美,直指三岛本人的悲剧。The protagonist’s stuttering in The Golden Pavilion is the result of an imbalance between his inner self-cognition and social identity.As a symptom of his existence,the stuttering in turn intensifies the alienation of the individual from the outside world and constitutes his life experience as“not being understood”.Out of the desire for beauty and the absolute,the protagonist attempts to establish identity with the Golden Pavilion,but is forced to become a humiliating presence under the gaze of the other.Thus,the action of trampling on the red-clad prostitute in the snow can be regarded as an atrocity of witness destruction.In the face of the reality,the protagonist keeps oscillating between cognition and behavior.When he realizes the dialectical unity of the two,his act of burning the Golden Pavilion is not so much the destruction of beauty as the construction of a tragedy of nothing in a futile act of despair,which refers directly to Mishima’s own tragedy.

关 键 词：《金阁寺》 社会文化理论 口吃 他者 虚无 

分 类 号：I313.074[文学—其他各国文学]