后殖民视角下恩古吉对文化身份的探索  

Nguji′s Exploration of Cultural Identity from a Postcolonial Perspective

作　　者：王志凤[1] Wang Zhifeng(Department of Public Education,Chuzhou City Vocational College,Chuzhou,Anhui 239000,China)

机构地区：[1]滁州城市职业学院公共教学部,安徽滁州239000

出　　处：《黑龙江工业学院学报（综合版）》2024年第2期60-65,共6页Journal of Heilongjiang University of Technology(Comprehensive Edition)

摘　　要：恩古吉·瓦·提安哥是非洲最重要的后殖民文学创作者之一,他的作品反映了肯尼亚茅茅运动武装斗争期间以及独立后的各种社会问题。作者恩古吉本身具备流散者的标记,他不仅遭受了肯尼亚政府的迫害,也被西方精英阶级所排斥,因此他的作品常常以不固定的视角阐述殖民时期及后殖民时代中的各种问题,具有较高的研究价值。拟以恩古吉作品的文化身份探索为主题,主要以《一粒麦种》《十字架上的魔鬼》两部作品为文本进行后殖民批评。研究以小说中的身份认同困境以及身体歧视问题为核心,针对这两个问题提出了文化身份和身体认知重建路径。Nguji Wa Thiong′O is one of the most important African creators of postcolonial literature.His works reflect various social issues during the armed struggle of Kenya′s Mau Mau Uprising and after independence.Bearing the mark of a diaspora,Nguji himself not only suffers from persecution by the Kenyan government,but also is ostracized by the Western elite.Therefore,his works often elaborate on various issues in the colonial and postcolonial periods from an unstable perspective,which has high research value.The theme of this study is to explore the cultural identity of Nguji′s works,mainly focusing on postcolonial criticism of two works:A Grain of Wheat and Caitaani Mutharabaini.The study focuses on the identity dilemma and body discrimination issues in novels,and analyzes Nguji′s proposed cultural identity and body cognition reconstruction paths in novel creation to address these two issues.

关 键 词：后殖民主义批评 身份危机 恩古吉 《一粒麦种》 种族主义 文化碰撞 

分 类 号：I106.4[文学—世界文学]