被身份重构的晚明士人:主体觉醒与美学转向  

Late Ming Scholars with Identity Reconstructed:Subject awakening and aesthetic turning

作　　者：丁以涵 Ding Yihan

机构地区：[1]东南大学艺术学院,江苏南京210096

出　　处：《南京艺术学院学报（美术与设计）》2024年第2期162-167,I0003,共7页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：国家社科基金重大项目“明清小说戏曲图像学研究”(19ZDA256)阶段性成果。

摘　　要：在晚明,身处动荡与危机中的士人群体已然开始摆脱时代政治伦理结构及其空间的束缚,致力于营构主体化美学生活。在政治变动与经济发展的双重影响下,晚明士人在文化、艺术、工艺等领域促进了新观念、新学术、新思潮的不断发展,最终催生了晚明士人主体美学意识的深度觉醒,形成了全新多元的、生活化的主体美学新转向。The scholars of the late Ming Dynasty were exposed to a special era of social structural upheaval,and the group of scholars in turmoil and crisis had began to break free from the constraints of a single ethical and political space,actively committed to creating and constructing a diverse aesthetic lifestyle.The drastic political changes and prosperous economic development had led to rapid social changes,which in turn provided a vast aesthetic space for the development of culture,art,crafts,and other fields in the late Ming Dynasty.This promoted the continuous emergence of new academic trends in the late Ming Dynasty,ultimately catalyzing the awakening of the subjective aesthetic consciousness of scholars in the late Ming Dynasty,disintegrating the traditional value non subjective aesthetic consciousness and its fashion,and forming a new and diverse subjective aesthetic direction.

关 键 词：晚明士人 主体觉醒 学术思潮 审美观念 

分 类 号：J022[艺术—艺术理论]