海德格尔共同体思想的演变与美学意涵  

The Evolution and Aesthetic Implications of Heidegger’s Theory of Community

作　　者：尹旌霖 YIN Jing-lin(Shandong Normal University,Jinan 250014,China)

机构地区：[1]山东师范大学,山东济南250014

出　　处：《扬州教育学院学报》2024年第1期19-23,28,共6页Journal of Yangzhou College of Education

基　　金：山东省艺术科学重点课题(23ZS03270006)。

摘　　要：海德格尔在将共同体与社会二者进行区分的基础上,从真理以及人的生存论角度建立了一种源初共同体思想,诗歌、艺术不仅是共同体的发生方式,更是对其本真理解的渠道。其隐含了一种美学价值:艺术共同体可以使人们回归到一个源初的、本真的自我来源,因此也是不同民族之间相互根本性理解并理解自身的渠道。海德格尔对共同体的论述焦点经历了由民族维度向人类维度的转变,而后者才是艺术共同体的根本旨归。Based on the distinction between community and society,Heidegger developed an original community theory from the perspective of truth and human existentialism.Poetry and art are not only the means by which the community occurs,but also the channel of understanding its true nature.It implies an aesthetic value:the artistic community allows people to return to the original and authentic source of self,and therefore is also a channel for different nations to have a fundamental understanding of each other and themselves.The focus of Heidegger's discourse on community has undergone a shift from the national dimension to the human dimension,and it is the latter that is the fundamental purpose of art community.

关 键 词：海德格尔 共同体 艺术共同体 存在主义美学 

分 类 号：B516.54[哲学宗教—外国哲学]