古琴谱式的沿革与琴乐传承方式的衍变  

Ancient Qin Notation Types and Its Music Inheritance:A Perspective of Evolution

作　　者：戴微[1] Dai Wei

机构地区：[1]上海音乐学院音乐学系,上海200031

出　　处：《音乐艺术（上海音乐学院学报）》2024年第1期4-26,共23页Art of Music(Journal of the Shanghai Conservatory of Music)

基　　金：2022年度国家社科基金艺术学重大项目“中国传统音乐古谱研究”之子课题“历代古琴谱研究”阶段性成果,项目批准号:22ZD13。

摘　　要：古琴谱作为记录古琴演奏过程的重要载体,自唐人手抄卷子谱《碣石调·幽兰》开始,至20世纪上半叶出现的五线记谱法,历经千余年的稳态传承,形成“文字—减字—合参—线型”的发展脉络。不同历史时期的古琴谱式既有内在的关联,又有谱面上的差异。在挖掘谱式沿革与发展过程中的文化成因和内涵、辨析各类谱式变革得失的同时,亦可洞见蕴含在谱式沿革中的琴乐传承方式衍变。The ancient musical score is an important carrier for recording the performance of gu-qin(or qin:ancient zither). From the earliest handwritten copied Jieshi Diao You Lan in the Tang Dynasty to the staff notation in the first half of the 20th century, it has been passed down steadily for more than one thousand years,and formed the development vein of “character-abbreviated-composite-linear” notation types. These types of gu-qin in different historical periods have their internal relations as well as their differences. While digging out the cultural causes and connotations in the evolution and development of musical notation types, and discriminating the gains and losses of various musical notation reforms, we can also see the evolution of the qin music inheritance mode contained in the evolution of musical notation types.

关 键 词：古琴谱式 文字谱 减字谱 合参谱 线形谱 口传心授 

分 类 号：J609.2[艺术—音乐]