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作 者:杨奕 王春雨[2] YANG Yi;WANG Chun-yu(School of Fine Arts,Northeast Normal University,Changchun 130117,China;School of Chinese Language and Literature,Northeast Normal University,Changchun 130024,China)
机构地区:[1]东北师范大学美术学院,吉林长春130117 [2]东北师范大学文学院,吉林长春130024
出 处:《东北师大学报(哲学社会科学版)》2024年第3期77-84,共8页Journal of Northeast Normal University(Philosophy and Social Science Edition)
基 金:吉林省社会科学基金项目(2023C97)。
摘 要:成仿吾是我国现代文学史上别树一帜的批评家和文艺理论家,“利剑”与“绳结”是他文艺思想的核心旨趣与鲜明特质。作为“创造社”的三元老之一,他在指认新文学三重使命的过程中,原创性地阐发了“社会—审美”二元式文学功能论。作为现代文学批评的先驱,他在介绍西方文艺批评理论的基础上,秉持“执两用中”的态度,创造性地阐释了文学批评的应有之义——“同情”与“超越”。成仿吾文艺思想历经从“个人关怀”到“社会关切”的发展转向,在某种程度上确证了现代文学的社会化与大众化取向。总体上看,成仿吾是沉浮于时代风潮中的激进者与建构者,在多元思潮涌现的社会图景中生发了兼具独立品格和灵性的文艺思想,为中国现代文学批评做出过不可磨灭的贡献。Cheng Fangwu is a unique literary critic and theorist in the history of modern literature in China.The“Sword”and“Knot”are the purport core interests and distinct characteristics of his literary and artistic thought.As one of the three old heads of the“Creation Society,”he creatively expounded the“social-aesthetic”binary literary function theory in the process of identifying the threefold mission of new literature.As a pioneer of modern literary criticism,on the basis of introducing western literary criticism theories,he maintained a“balanced and harmonious”attitude and creatively interpreted the attitude of literary criticism application as“sympathy”and“transcendence.”Cheng Fangwu s literary thought has evolved from“personal care”to“social concern”,which to some extent confirms the social and popular orientation of modern literature.Overall,Cheng Fangwu was a radical and a constructor who has experienced the ebbs and flows of the zeitgeist.In the emerging social picture of diverse ideologies,he developed a literary and artistic thought with both independent character and organic agility,making an indelible contribution to the development of modern literary criticism in China.
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