泰山现代诗歌创作分期及其特点探析  

An Analysis of Mount Tais Modern Poetry Creation

作　　者：李慧 苏仁聪 LI Hui;SU Ren-cong(Editorial Department of Journal,Taishan University,Tai'an,Shandong 271021;Creative Writing College,Taishan College of Science and Technology,Tai'an,Shandong 271038)

机构地区：[1]泰山学院学报编辑部,山东泰安271021 [2]泰山科技学院创意写作学院,山东泰安271038

出　　处：《泰山学院学报》2024年第1期85-90,共6页Journal of Taishan University

基　　金：山东省艺术科学重点课题“泰山诗歌的文化产业价值及其创造性转化”(L2022Z06170644);2022年度山东省社会科学普及应用研究项目“泰山现代诗歌搜辑与研究”(2022-SKZZ-57);2022年度泰安市社会科学课题“泰山现代诗歌的搜集与整理”(22-YB-064)阶段性研究成果。

摘　　要：泰山现代诗歌是一种以白话文为语言,以泰山为审美对象,以不拘泥格式和韵律的自由体为表现形式的文学式样。泰山现代诗歌的创作始于1919年,可以分为萌芽期、发展期、转型期、融合期和拓展期五个时期,呈现出格律与自由互动、古典与现代共融、传统与创新共生的特点。Mount Tai modern poetry is a literary style different from the ancient Mount Tai poetry,which takes the vernacular as the language,Mount Tai as the aesthetic object,and takes the free style of free form that does not adhere to the rigid format and rhythm as the form of expression.Mount Tai's modern poetry derived from 1919,which can be divided into five periods as below:the embryonic period,the development period,the transformation period,the integration period and the expansion period.It shows the characteristics of the interaction between meter and free body,the integration of classical and modern,and the symbiosis of tradition and innovation.

关 键 词：泰山 现代诗歌 

分 类 号：I052[文学—文学理论]