哲学的“思”与“诗”:浪漫主义反讽中的诗化哲学观  

“Reflection”and“poetry”of Philosophy:Poetic philosophy View in Romantic Irony

作　　者：王妍 WANG Yan(School of Literature,Hefei Normal University,Hefei 230601,Anhui)

机构地区：[1]合肥师范学院文学院,安徽合肥230601

出　　处：《陕西理工大学学报（社会科学版）》2024年第2期19-24,共6页Journal of Shaanxi University of Technology(Social Science)

基　　金：国家社会科学基金青年项目(19CZW009)。

摘　　要：反讽作为德国早期浪漫思想的关键概念,其包含的形而上学观,既不同于费希特唯心主义知识哲学,也不同于黑格尔绝对唯心主义哲学。德国早期浪漫派主张通过断片式的反讽,通过没有封闭式结局的无限否定和无限生成,让人摆脱有限性现实的束缚,以间接地感受形而上学“绝对”。但这个绝对本身是无法被主体把握的,它只能作为调节性的理念来起作用。与此同时,主体也在反讽中意识到自身处于特殊与普遍、有限与无限融合的矛盾状态。与此相适应,浪漫主义反讽式的艺术作品常常用一种表面上的自我否定、混乱或断片来表现无限,并要求作者与艺术保持距离,追求一种形式上具有自我指涉性的反思艺术。反讽集中体现出德国早期浪漫派思想与同时代古典哲学思想不同的是富有浪漫主义的诗化哲学风格。德国早期浪漫派试图用艺术、美学与直观,来补充哲学反思在弥合主客观矛盾以及抵达无限性方面的不足。Irony,an early key concept of German romantic thought,contains a metaphysical view that is different from Fichte's idealist intellectual philosophy and Hegel's absolute idealism philosophy.The early German Romantic advocated the use of fragmentary irony,through the infinite negation and infinite generation without closed endings,to get rid of the shackles of finite reality,and to sense metaphysical absolute indirectly.But this absolute itself cannot be grasped by the subject,it can only function as a regulatory concept.At the same time,the subject also realized in irony that he/she was in a state of contradiction between special and universal,limited and infinite.In line with this,romantic irony works often express their infinity with a superficial self-denial,chaos or fragmentation,and require the author to maintain a distance from art,pursue a form of self-reflective art.Irony embodies the poetic philosophical style of the early German Romanticism,which is different from the classical German philosophy.The early German Romantics tried to use art,aesthetics and intuition to supplement the shortcomings of philosophical reflection in bridging the contradiction between subjective and objective and reaching infinity.

关 键 词：反讽 形而上学 主体矛盾 自反性艺术 诗化哲学 

分 类 号：I01[文学—文学理论]