回到康德:诗学问题与审美正义  

Back to Kant:Poetic Issue and Aesthetic Justice

作　　者：吴红涛 WU Hongtao(School of Culture and Communication,Zhejiang Wanli University,Ningbo Zhejiang 315100,China)

机构地区：[1]浙江万里学院文化与传播学院,浙江宁波315100

出　　处：《上饶师范学院学报》2024年第1期51-59,共9页Journal of Shangrao Normal University

基　　金：国家社科基金项目(20BZX012)。

摘　　要：以“诗的终结”为代表的文学终结论,告示着文学在当今时代所遭遇的深刻危机.作为一种文学研究形态的诗学,在面临文学危机时所显现的无力感已成不争事实.传统诗学虽致力于为文学在知识论上进行本体论的立法,但却长期疏忽了在价值论上赋予其应有且充分的合法性.为此有必要带着诗学问题重返康德,原因在于康德针对诗所展开的美学性探讨,将文学艺术之价值建基于人的道德王国与理性大厦之上,为此来倡导一种进阶心灵与朝向伦理的大诗学,使得诗学完成从“感官愉悦”到“思辨愉悦”的转换,进而超越狭义的符号语义学,衍化为更具张力的审美正义论,对于我们反思当下的文学困境有着重要的启示意义.The final conclusion of literature,represented by"the end of poetry"indicates the profound crisis that literature is experiencing in the present age.The powerlessness of poetics as a form of literary study in the face of literary crisis has become an indisputable fact.While traditional poetics has endeavored to ontologically legislate for literature epistemologically,it has long neglected to give literature its due and adequate legitimacy in terms of value theory.Therefore,it is necessary to return to Kant with the issue of poetics,because Kant's aesthetic exploration of poetry builds the value of literature and art on the moral kingdom and rationality of human beings,and therefore advocates a great poetics that advances the mind and moves towards ethics,which enables poetics to complete the transformation from"sensual pleasure"to"discursive pleasure"and to advance to a more tense theory of aesthetic justice,and then go beyond the narrow sense of symbolic semantics and advance to a more tense theory of aesthetic justice,which has important enlightenment significance for people to reflect on the current literary dilemma.

关 键 词：康德 诗学 审美 正义 伦理 

分 类 号：B82-0[哲学宗教—伦理学]