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作 者:张奥苒 ZHANG Aoran(School of Foreign Languages,Renmin University of China,Beijing 100872,China)
出 处:《长春大学学报》2024年第5期62-66,共5页Journal of Changchun University
基 金:教育部人文社会科学青年项目(2021-ZZJH-220)。
摘 要:《平凡英雄》新颖的叙事方式突破了英雄范畴的定型观念,具有丰富的时代特征和现实意义。文章借助非范畴化理论,对电影的英雄叙事进行解读,研究发现,《平凡英雄》打破了英雄范畴的固有边界,通过刻画普通民众面对救治断臂小男孩时的人间大爱,将观众的注意力导向英雄行为的认知辖域,进而激发观众对新时代英雄群像的再范畴化。本研究为解读新时代影视文学的英雄主题提供了新视角,对借助影视作品讲好中国故事亦有一定借鉴。The origniality of narrative mode of the film Ordinary Hero breaks through the stereotyped concept of hero category and bears rich contemporary features and practical significance.On the basis of the decategorization theory,this paper interprets the heroic narration of the movie,finding that the film Ordinary Hero breaks through the inherent boundary of hero category.By depicting the great love of ordinary people in the face of rescuing the little boy,the film directs the audiences’attention to the cognitive scope of heroic behavior,and further inspires them to recategorize the heroes images of this new era.This study helps to provide a new perspective for interpreting the hero theme of movie literature in the new era,which has some references for telling Chinese stories as well.
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