论《在细雨中呼喊》的“异化”书写  

“Alienation”of Writing in Cries in the Drizzle

作　　者：侯业智[1] 温玉媚 HOU Ye-zhi;WEN Yu-mei(School of Literature and Journalism,Yan’an University,Yan’an 716000,China)

机构地区：[1]延安大学文学与新闻传播学院,陕西延安716000

出　　处：《榆林学院学报》2024年第3期78-84,共7页Journal of Yulin University

基　　金：陕西省社会科学基金“延安精神与高质量发展研究”专项项目(2022YA13)。

摘　　要：《在细雨中呼喊》是余华90年代创作的首部长篇小说,亦是余华童年书写的代表之作。这部小说沿袭了80年代先锋文学的“反叛”,为读者呈现了极具非理性色彩的童年世界。在这部小说中,余华通过对人物、情节和环境多重“异化”,将真实的童年幻化成虚构的回忆性空间,逐一剖析着孩童眼中阴森肮脏的世界,揭示着人性和世界的丑恶。从“异化”角度切入,不仅可以清晰地感受到先锋文学的非理性色彩,还可洞悉到异化书写背后蕴藏的独特经历和时代印记。Cries in the Drizzle is the first novel created by Yu Hua in the 1990s,and it is also the representative work of Yu Hua’s childhood.This novel follows the“rebellion”of the avant-garde novels in the 1980s and presents the readers with a very irrational childhood world.In this novel,Yu Hua transforms the real childhood into a fictional memory space through multiple“alienation”of characters,plots and environments,dissecting the grim and dirty world in the eyes of children one by one,and revealing the ugliness of humanity and the world.From the angle of“alienation”,we can not only clearly feel the irrational color of avant-garde novels,but also understand the unique experience and the mark of the times behind the alienated writing.

关 键 词：余华 《在细雨中呼喊》 异化 

分 类 号：I247[文学—中国文学]