物象视域下汉大赋的图像化体认  

On the Image Recognition of Han Ode from thePerspective of Objective Image

作　　者：计敏 JI Min(School of Chinese Language and Literature,Central China Normal University,Wuhan 430079,Hubei)

机构地区：[1]华中师范大学文学院,湖北武汉430079

出　　处：《陇东学院学报》2024年第3期20-24,共5页Journal of Longdong University

摘　　要：汉大赋中不同物象的种类、方位与颜色构建起相对应的图像内容,从而展现出汉大赋的丰富内容与多彩形式,这种形象化的图像认知方法是汉大赋文本解读的新方式。物象视域下,汉大赋文本图像化解读具有三点优势:第一,通过图像空间范围内集中、生动地展示文本内容;第二,可在图像色彩视域内探寻文本的情感内蕴;第三,图能补赋之不足,达到“图文互证”之功用。以图解文的再现过程使平面形式下单调的物象群体图式化,成为灵动的图像元素,能使受众规避单一时空内的认知局限,进而了解图文背后恢弘的时代文化心理与昂扬向上的精神气质。The types,orientations,and colors of different objects in Han Ode construct corresponding image content,thereby showcasing the rich content and colorful forms of Han Ode.This visual cognitive method is a new way of interpreting Han Ode texts.From the perspective of objects and images,the image resolution reading of Han Ode text has three advantages:firstly,it displays the text content in a concentrated and vivid manner within the spatial range of the image;secondly,the emotional connotations of the text can be explored within the visual field of image color;thirdly,images can supplement the shortcomings and achieve the function of mutual verification between images and text.Through the process of reproducing graphic texts,the monotonous group of objects in flat form can be schematized into dynamic visual elements,enabling the audience to avoid cognitive limitations within a single time and space,and thus understand the grand cultural psychology and spirited spirit behind the graphic texts.

关 键 词：汉大赋 物象 图像 空间 色彩 

分 类 号：I206.2[文学—中国文学]