藏族英雄史诗格萨尔王传形式基础(续)  

The Basis of Form of the Tibetan Heroic Epic King Gesar(Continued)

作　　者：丹珠昂奔[1] Don-grub dBang-vbum

机构地区：[1]中央民族大学,北京100081

出　　处：《中国藏学》2024年第1期106-114,215,共10页China Tibetology

摘　　要：形式基础是格萨尔研究的基本理论问题,涉及史诗产生、发展、传播的特定时代的社会文化基础,渊源深长。格萨尔的形式集中于“两‘仲’、三要素、一模式”。仲与德乌、苯都是青藏高原古老的文化形式,当格萨尔作为史诗萌芽时,艺人们借用了他们最熟悉的“仲”的形式,形成了格萨尔王传的形式基础。深刻认识把握这一形式基础,既是认识格萨尔光辉存在的一把钥匙,也是传承、弘扬格萨尔史诗,汲取其精神精华的桥梁,有利于我们传承、研究、弘扬、开发、利用格萨尔的既有成果,确立文化自信,构建各民族共有精神家园。The basis of form is the basic theoretical issue of Gesar's research,which involves the social and cultural basis of the specific era in which epics were produced,developed and disseminated,and has a deep origin.Gesar's form focuses on "two ' sgrung',three elements and one model".A deep understanding and grasp of the basis of form of the King Gesar's biography is not only a key to understanding Gesar's glorious existence,but also a bridge to inherit and carry forward Gesar's epic and absorb its spiritual essence,which is conducive to our inheritance,research,promotion,development and use of Gesar's existing achievements,establish cultural self-confidence,and build a common spiritual home for all ethnic groups.

关 键 词：格萨尔 形式 仲 仲肯 音乐 

分 类 号：I207.2[文学—中国文学]