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作 者:邹元江[1] Zou Yuanjiang
机构地区:[1]武汉大学哲学学院
出 处:《戏剧与影视评论》2024年第2期1-10,共10页Stage and Screen Reviews
摘 要:马华百年话剧口述史最明显地区分为20世纪50年代马来西亚建国前的马来亚华族话剧史和建国后的大马华文话剧史两部分。华族话剧史由于与华族族群以及母国中国特殊的紧密联系,在剧团、剧目、剧场、剧运和剧评等视域对我们重新架构中国话剧史书写的理论维度都具有独特的参照和补白价值。大马华文话剧史则明显区别于以抗战募捐、支援母国为主旨的马来亚华族话剧史。由于马来西亚建国后形成的“国家意识”,华文话剧的主题、内涵已经发生了很大的变化。当代的采访者抢救式地与口述者、出场人共同作为马华华文话剧史的构作者,将被载入大马百年华文话剧的发展史中。The oral history of Malaysian Chinese language Drama over the past century can be most clearly divid-ed into two parts:the history of Malayan Chinese Drama before the founding of Malaysia in the 1950s and the history of Malaysian Chinese Language Drama after the founding of Malaysia.The former,due to its close connection with the Chinese ethnic groups and its homeland China,has unique reference and complementary values for us to recon-struct the theoretical dimensions of Chinese Drama history in terms of drama troupes,plays,theaters,movements,and reviews.The latter is clearly different from the Malayan Chinese Drama history,which focused on fundraising and supporting the motherland during the Anti Japanese War.Due to the"national consciousness"formed after the founding of Malaysia,the theme and connotation of Chinese Language Drama have undergone significant changes.In a rescue-oriented manner,contemporary interviewers,together with oral narrators and presenters,contribute to the construction of the history of Malaysian Chinese language drama,which will be recorded in its development history o-verthepastcentury.
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