音乐表演——当传统遭遇现代  

Musical Performance:When Tradition Encounters Modernity

作　　者：宋瑾 Song Jin

机构地区：[1]南京艺术学院 [2]中央音乐学院 [3]中国音协音乐美学学会 [4]中华美学会

出　　处：《中国音乐》2024年第3期5-17,F0002,共14页Chinese Music

摘　　要：传统遭遇现代是学界和社会都很熟悉的话题。对音乐表演而言,这个话题的核心是传统音乐在现代演绎中的遭遇。社会环境、社会成员及其生活方式都改变了,表演者接受了新文化新音乐教育,音乐观念和美感、表演行为和结果都相应发生了变化。其音律、节律判断和选择受到视唱练耳、基本乐理、作曲“四大件”中3种律制和固定节拍影响;音色判断和选择受到美声和现代器乐影响;做乐方式受到音乐厅制度、他娱美学影响。传统音乐的形神在现代表演中被重新装扮,并影响了听者的音乐耳朵,逐渐形成二者相互影响、传统音乐文化离心走向的音乐生活现实。直接相关的问题是“两创”如何守护底线,真正做到守正创新。从教育入手,培育优秀传统文化的局内观、局内感和局内情,是重中之重。The encounter between tradition and modernity is a familiar topic in both academic circles and society at large.For music performance,the core of this topic is the encounter of traditional music within modern interpretations.Social environments,community members,and their ways of life have changed,leading performers to embrace new cultural and musical educations.Consequently,notions and aesthetics of music,as well as performance practices and outcomes,have undergone corresponding changes.The judgment and selection of musical and rhythmic modes are influenced by solfege,ear training,basic music theory,and the"four major elements"of composition,including three types of modal systems and fixed tempos;timbre judgment and selection are influenced by bel canto and modern instrumental music;and the mode of making music is influenced by concert hall systems and the aesthetics of entertainment.The essence and spirit of traditional music are redecorated in modern performances,which in turn affect the listeners'musical perception,gradually leading to a music life reality where both influence each other and traditional music culture moves centrifugally.A directly related issue is how"double innovation"can protect the baseline and truly achieve maintaining integrity while innovating.Starting from education,cultivating an in-depth understanding,empathy,and sentiment for excellent traditional culture is of paramount importance.

关 键 词：传统音乐 现代表演 变异 守正创新 族性 

分 类 号：J604.6[艺术—音乐]