是“童心”说还是“史心”说?——龚自珍抒情思想之心学属性论  

Is it the “Childlike Mind” Theory or the “Historical Mind” Theory?—On the Mind Learning Attributes of Gong Zizhen’s Lyric Thoughts

作　　者：刘锋杰 LIU Feng-jie

机构地区：[1]浙江越秀外国语学院 [2]苏州大学文学院

出　　处：《河北学刊》2024年第4期123-131,共9页Hebei Academic Journal

基　　金：2018年度国家社会科学基金重点项目“‘文以载道’观的发生、嬗变与当代价值研究”(18AZW001)。

摘　　要：龚自珍受“童心”说影响,但没有将“童心”建构成一个诗学概念,他的“童心”仅表征了个人的一种情感状态。在龚氏这里,形成了这样的抒情景观:由“自我”本体的创造性予以奠基,产生巨大的“心力”;“心力”又与历史活动相结合,产生了“史心”;再用“史心”去感受、捕捉与表现万事万物,将名理的、伦理的、社会的、历史的等诸多要素纳入创作之中,用生命的华美咏叹、社会的尖锐批判、人生的悲愤感慨与理想的执着追求合奏艺术之劲舞与审美之崇高。这与阳明心学具有内在的关联性。Gong Zizhen was influenced by the“childlike mind”theory,but he did not construct it into a poetic concept.His“childlike mind”merely represents a personal emotional state.In Gong’s work,a lyrical landscape is formed:founded on the creativity of the“self”ontology,a great“mental power”is generated;this“mental power”is then combined with historical activities to produce the“historical mind”;and then use the“historical mind”to perceive,capture,and represent all things,incorporating many elements such as rational,ethical,social,and historical into the creation.The life’s splendor,social sharp criticism,life’s sorrow and indignation,and the persistent pursuit of ideals are combined to perform the vigorous dance of art and the sublimity of aesthetics,which has an intrinsic connection with Yangming’s theory of mind.

关 键 词：龚自珍 童心 史心 自我 阳明心学 

分 类 号：I206.2[文学—中国文学]