19世纪西方关于梵高绘画的早期接受与阐释历程  

The Early Acceptance and Interpretation of Van Gogh's Paintings in the 19th Century

作　　者：王燕 Wang Yan(School of Philosophy,Wuhan University)

机构地区：[1]武汉大学哲学学院

出　　处：《美术》2024年第6期133-139,共7页Art Magazine

摘　　要：梵高对20世纪西方艺术流派的发展产生了多方位影响,这种影响力不仅得益于梵高的绘画创作,更与后人对他的接受过程密不可分。本文通过文献比较和阐释美学的方法,对19世纪末期的历史资料进行梳理和评析,表明对梵高绘画的早期阐释具有多维度特点,主要表现为印象主义与后印象主义的承接,象征主义与现实主义的并峙,进而探讨梵高对各个艺术流派的贡献,在源头处使围绕梵高的一条阐释学脉络清晰起来。Van Gogh influenced the development of western art schools in the 20th Century in various aspects, which was a result of his artwork creation and the spread of his letters, as well as the acceptance and interpretation of later generations. Through document comparison and aesthetic interpretation, this article teases out the history of interpreting Van Gogh's paintings by western art community in the 19th Century, and shows that his paintings were learned from multiple aspects in early periods,including the continuation and creation of impressionism and post-impressionism and the opposition and integration of symbolism and realism. This article then discusses Van Gogh's contributions to various art schools, making clear the Van Goghrelated interpretation from the source.

关 键 词：梵高 印象主义 后印象主义 象征主义 艺术批评 

分 类 号：J205[艺术—美术]