客家“下坝迎灯”仪式音声的符号隐喻与文化认同  

Symbolic Metaphor and Cultural Identity of Hakka's "welcome the lights at the dam" Ceremony

作　　者：董晓梅[1] 罗钢芹[1] Dong Xiaomei;Luo Gangqin

机构地区：[1]嘉应学院音乐与舞蹈学院,梅州514015

出　　处：《音乐文化研究》2024年第2期120-126,M0004,M0005,共9页Music Culture Studies

基　　金：2023年度广东省哲学社会科学规划一般项目“粤东客家传统民间仪式音乐与文化认同研究”(项目编号:GD23CYS16)阶段性成果。

摘　　要：“下坝迎灯”是一种以迎灯、接灯为主题的客家元宵祭祖活动。仪式将中原汉人的迎花灯闹元宵传统与客家人的添丁敬祖思想相结合,构建了一个跨文化、虚拟的情景世界。其仪式展演中的各类“非语言性”和“语言性”音声符号,背后隐喻了客家社会的深层结构关系和文化认知观念。作为客家人的一种“族性符号”,“下坝迎灯”仪式音声隐喻了客家人的“中原文化情结”和“中原汉民身份”。在多族群杂居的客家社会,客家人正是以这样的“族性符号”来界定自我、区别他者,也以这样的“族性符号”来相互凝聚、互相团结,共同构建起一个客家社会的区域文化认同体系。"Welcome the lights at the dam" is a Hakka Lantern Festival ritual that centres on welcoming and receiving lanterns as a way of ancestor worship during the Lantern Festival.This ceremony combines the Central Plains Han tradition of celebrating the Lantern Festival with the Hakka ideology of honouring ancestors through family expansion,creating a cross-cultural and virtual scenographic world.The various non-verbal and verbal sound symbols employed during the ceremony metaphorically reflect the deep structural relationships and cultural cognition concepts of Hakka society.As an "ethnic symbol" for the Hakka people,the sounds in the ceremony metaphorically express the Hakka's "Central Plains cultural complex" and their identity as Han people from the Central Plains.In the multi-ethnic,mixed-residence Hakka communities,such ethnic symbols are used by the Hakkas to define themselves,differentiate from others,unite,and collectively establish a regional cultural identity system for Hakka society.

关 键 词：“下坝迎灯” 仪式音声 客家 族性符号 隐喻 文化认同 

分 类 号：J607[艺术—音乐]