“新生代”作家与本雅明废墟美学的潜在对话——以“游荡者”意象为中心  

The Potential Dialogue between the New Generation Writers and Benjamin's Aesthetics of Ruins:Centered on the Image of"Wanderer"

作　　者：伍丹[1] 吴晗 Wu Dan;Wu Han

机构地区：[1]湖南师范大学文学院

出　　处：《上海文化》2024年第6期42-51,共10页Shanghai Culture

摘　　要：20世纪八九十年代西方理论的翻译引进以及相契合的文化语境,使90年代“新生代”作家的都市文学能够被视为本雅明“废墟美学”的中国实践。以两者文学话语中的共同意象“游荡者”为中心,中西方思想形成潜在对话。本雅明试图以“拾荒”唤醒废墟中的历史天使,新生代作家试图在废墟上以“革命”的方式实现自我突围。在废墟语境下的不同走向中,可见90年代初中国对于西方理论接受的“自我更新”,试图开启普遍意义上“救赎”的可能性。The urban writing by the new generation of writers can be regarded as the Chinese practice of Benjamin's"ruins aesthetics"as a result of the translation and introduction of Western theories and the corresponding cultural context in the 1980s and 1990s.A potential dialogue between Chinese and western thoughts can be made centering on the common image"wanderer"in their literary discourse.While Benjamin tries to wake up the historical angels in the ruins by"scavenging",the new generation of writers tries to break through the ruins in a"revolutionary"way,which indicates the trend of"self-renewal"of western theories by China in the early 1990s and the possibility of"redemption"in a general sense.

关 键 词：新生代作家 废墟 本雅明 中西对话 游荡者 

分 类 号：I206.7[文学—中国文学]