论明清时期佳人纨扇图式的风尚  

On the Fashion of the Fan Pattern of Beautiful Ladies in the Ming and Qing Dynasties

作　　者：黄友清 HUANG Youqing(School of Chinese Painting,Guangxi Arts University,Nanning 530007,China)

机构地区：[1]广西艺术学院中国画学院,广西南宁530007

出　　处：《苏州教育学院学报》2024年第3期88-94,共7页Journal of Suzhou College of Education

摘　　要：仕女纨扇历来是诗人和画家热衷表现的对象,佳人纨扇图式已成为古典绘画的审美范式,尤以明代画家唐寅的《秋风纨扇图》为代表。佳人纨扇图式破除了传统才子佳人的婚配模式,其演化脉络清晰地反映了明清时期才女文化的流行和男性审美观、择偶观的变迁。Ladies and fans have always been the object of poets and painters’keen expression,and the lady-fan pattern has become the aesthetic paradigm of classical painting,especially represented by the Ming Dynasty painter Tang Yin’s Autumn Wind Fan Picture.The lady-fan pattern breaks the traditional marriage pattern of talented men and beautiful women,and its evolution clearly reflects the popularity of talented women culture and the changes in men’s aesthetics and mate selection concepts in the Ming and Qing dynasties.

关 键 词：明清时期 唐寅 《秋风纨扇图》 佳人 纨扇 审美变迁 才女文化 

分 类 号：J209[艺术—美术]