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作 者:向天渊[1] XIANG Tian-yuan
机构地区:[1]西南大学中国诗学研究中心中国新诗研究所,重庆400715
出 处:《湖北大学学报(哲学社会科学版)》2024年第4期105-113,F0003,共10页Journal of Hubei University(Philosophy and Social Science)
基 金:西南大学研究阐释党的二十大精神专项项目“汉语和合诗学的创造性转化与创新性发展问题研究”(SWU2209019);2035先导计划项目“现代汉语诗学话语与铸牢中华民族共同体意识之关系研究”(SWUPilotPlan)的资助。
摘 要:基于诗学、语言学的交互视野,回顾汉语和新诗的现代化历程,可以发现,在“国语”及“文学”围绕文学性及生命意识展开双向互动、共同革新的大背景下,汉语和新诗相互牵缠、彼此形塑,既相得益彰,也彼此耗损。缘于表达现代生活方式、构建现代价值体系的要求,现代汉语被迫走上欧化道路,只不过囿于汉字、汉语的物理属性及其所负载的精神传统,无法充分实现欧化目标,语言上的内在张力必然传导至诗歌层面,引发新诗语言民族性、现代性品格建构的悖论与困惑。时至今日,用现代汉语写作新诗,早已成为不争之事实,但新诗反哺现代汉语,予其诗性锻造,促其成为意蕴丰厚的诗性语言,仍然道阻且长。我们必须充分发掘现代汉语的诗性潜质,尽可能地拓展、增强新诗的语言智慧,创造出满足现代人的精神需求、适应现代社会发展的诗歌作品,走上诗歌与语言彼此促进、良性循环的现代汉语诗学之路。Based on the interactive perspective of poetics and linguistics,a review of the modernization of Chinese language and new poetry reveals that,in the background of the two-way interaction and joint innovation of“mandarin”and“literature”,Chinese language and new poetry are intertwined and shaped by each other.They complement as well as deplete each other.Due to the requirements of expressing a modern way of life and constructing a modern value system,modern Chinese was forced to embark on the process of Europeanization.Constrained by the physical properties of Chinese characters and Chinese language and the spiritual tradition they carry,the goal of Europeanization could not be fully accomplished.The internal tension within the language will inevitably be conveyed to the poetic level,causing paradoxes and confusion in the construction of the national and modern character of the new poetry.Nowadays,it has been an indisputable fact that Chinese new poems are written in modern Chinese,but there is still a long way to go before new poems can feed back modern Chinese,forge its poetic attributes,and promote it to become a poetic language.We must fully explore the poetic potential of modern Chinese,expand and enhance the linguistic wisdom of Chinese new poetry as much as possible,create works that meet the spiritual needs of modern people and adapt to the development of modern society,and embark on the path of modern Chinese poetics in which poetry and language promote each other in a virtuous cycle.
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