嘉绒藏族服饰符号在现代藏式家具中的创新设计  

Innovative Design of Gyalrong Tibetan Costume Symbols in Modern Tibetan-style Furniture

作　　者：朱文霜[1] 王禹钧 白凌婷[1] ZHU Wenshuang;WANG Yujun;Bai Lingting(Guilin University of Technology,Guilin 541004,China)

机构地区：[1]桂林理工大学,桂林541006

出　　处：《家具》2024年第3期49-54,共6页Furniture

基　　金：广西高等教育本科教学改革工程项目(2022JGA208)。

摘　　要：浓烈的色彩和神秘的符号不仅是藏族服饰和藏式家具的灵魂,也是整个藏文化的独特气息所在。在共同灵魂作用下,藏族服饰和藏式家具不可避免会产生相互交融。针对当下嘉绒藏式家具的市场“失语”困境,以符号学理论为基础,采用文献调查法和图示解析法提取嘉绒藏族传统服饰符号系统中有代表性的宗教信仰符号、性别结构符号、装饰纹样符号及材质色彩符号,将其用于现代藏式家具的设计实践指导中,最终通过设计案例找到二者之间的契合点和交融方式,验证设计思路的可行性,借此激发现代藏式家具的活力,从而推动嘉绒藏族传统文化的传承与创新。The vibrant colors and mysterious symbols are not only the soul of Tibetan costumes and Tibetan-style furniture,but also the unique essence of the entire Tibetan culture.Under the influence of a common spirit,Tibetan costumes and Tibetan-style furniture will inevitably blend with each other.In response to the current market“silence”dilemma of Gyalrong Tibetan-style furniture,the literature investigation and graphic analysis were utilized to extract representative religious belief symbols,gender structure symbols,decorative patterns symbols,and material color symbols from the traditional costumes symbol system of Gyalrong Tibetan.These symbols were then applied in the design practice of modern Tibetan-style furniture to find points of convergence and blending between the two through design cases,validating the feasibility of the design approach.This process aims to stimulate the vitality of modern Tibetan-style furniture,thereby promoting the inheritance and innovative development of Gyalrong Tibetan traditional culture.

关 键 词：嘉绒藏族 家具设计 少数民族 服饰元素 

分 类 号：TS664[轻工技术与工程]