文化尺度理论:朝鲜半岛檀君神话文化模式阐释  

Cultural Scale Theory:An Interpretation of the Cultural Model of the Tanjun Myth of the Korean Peninsula

作　　者：李星翰 马金科[1] LI Xinghan;MA Jinke

机构地区：[1]延边大学文学院,吉林延吉133002

出　　处：《东北亚外语研究》2024年第3期121-129,共9页Foreign Language Research in Northeast Asia

基　　金：国家社会科学基金项目“古代朝鲜半岛‘唐宋诗之争’文献整理与研究”(19BWW024)的阶段性成果。

摘　　要：荷兰学者吉尔特·霍夫斯泰德(Geert Hofstede)通过对大量的调查数据进行分析,深入研究了文化模式,提出了文化尺度理论。借助该理论对朝鲜半岛的檀君神话进行分析,可以从文化尺度理论的视角对檀君神话的文化模式及其带来的影响进行阐释。檀君神话可以被看作一个历史不断“层累”下的具有长期导向的神话故事。檀君神话中存在着严密的权力领导体系;带有明显的集体主义色彩;具有男性文化导向的色彩。神话中明显的上下级领导体系也可看出权力距离大的民族文化模式。Dutch scholar Geert Hofstede analyzed a large number of survey data,conducted in depth research on cultural patterns,and proposed the theory of cultural scale.Through this theory,the myth of Tanjun in the Korean Peninsula can be analyzed,and the cultural pattern and influence of the myth of Tanjun can be explained from the perspective of cultural scale theory.The Tanjun myth can be seen as a long-term mythical story under the continuous“accumulation”of history.In the myth of Tanjun,there is a strict power leadership system,with obvious colors of collectivism.Judging from the gender status of the characters who appear in the myth,it has a male cultural orientation.The obvious leadership system of the upper and lower levels in the myth can also be seen in the national cultural pattern with a large power distance.

关 键 词：檀君神话 文化尺度理论 集体主义 权力距离 男性文化 

分 类 号：B932[哲学宗教—宗教学]