解构主义视角下传统元素在现代艺术设计中的创新转化  

Integrating Excellent Traditional Culture into Modern Art Design:Value and Path

作　　者：路玲娟[1] Lu lingjuan(Shanghai Art&Design Academy,Shanghai 201808)

机构地区：[1]上海工艺美术职业学院,上海201808

出　　处：《牡丹江师范学院学报（社会科学版）》2024年第2期68-77,共10页Journal of Mudanjiang Normal University(Social Sciences Edition)

基　　金：教育部人文社科基金“‘文创+’时代产教融合视域下艺术设计院校三教改革路径研究”(21YJA880043)。

摘　　要：本研究针对中国艺术设计领域内的同质化趋势及其在国际设计界的“失语”现象,通过文献研究,认为其关键原因在于中华优秀传统文化与现代艺术设计结合得不够完善,传统元素难以实现现代语境下的创新转化。研究从文化社会、经济市场、技术创新等角度,剖析了传统元素在现代设计中创新转化的价值。依托解构主义设计理论,结合实证案例分析,提出了“甄选与解构”“解读与重构”“创新与转化”创新转化路径与传统元素设计创新的策略,旨在深化文化传承、激发创新活力、促进文化传播,增强设计作品的民族性与东方审美文化,提升公众的民族文化自信,推动民族文化生态的现代建构。This study aims at the homogenization trend in the field of Chinese art design and the phenomenon of"aphasia"in the international design field.Through literature research,the key reason is found to be that the integration of excellent Chinese traditional culture with modern art design is not perfect,and traditional elements face difficulties in achieving innovative transformation.From the perspectives of culture,society,economic market and technological innovation,the paper analyzes the value of traditional elements in the transformation of modern design.Based on deconstructionist design theory and combined with empirical case analysis,this paper puts forward innovative transformation paths such as"selection and deconstruction","interpretation and reconstruction","innovation and transformation",and traditional element innovation strategies.It aims to deepen cultural inheritance,stimulate innovation vitality,promote cultural transmission,enhance the national character and Oriental aesthetic of design works,enhance the public's self-confidence in national culture,and promote the modern construction of national cultural ecology.

关 键 词：文化传承 创新转化 艺术设计 解构主义 

分 类 号：J042[艺术—艺术理论]