日常口语的“驯服”与诗化——论新媒体语境下的新诗语言策略  

The"Taming"and Poeticization of Daily Spoken Language-The New Poetic Language Strategy under the Context of New Media

作　　者：罗小凤 Luo Xiaofeng(College of Liberal Arts,Yangzhou University,Yangzhou 225002,China)

机构地区：[1]扬州大学文学院,江苏扬州225002

出　　处：《东方论坛（青岛大学学报）》2024年第4期73-83,F0003,共12页Eastern Forum（JOURNAL OF QINGDAO UNIVERSITY）

基　　金：国家社会科学基金项目“新世纪诗歌对古典诗传统的再发现研究”(19BZW122)的阶段性成果。

摘　　要：新媒体语境下的新诗语言因受“网话”的影响而倾向于口语化,甚至掀起“口语诗”的热潮。诗歌语言的口语化在一定程度上拉近了诗与读者的距离,但过分口语化会导致诗歌趋向低俗、污秽而不堪卒读。诗人们面对这种倾向,运用悖论、隐喻、反讽等修辞和智性传达等方式“驯服”口语并让其诗化,构筑出诗歌语言的强劲张力,从而形成其对新媒体语境下诗歌语言策略的探索与尝试,一定程度上规避了过度口语化对新诗语言诗性的破坏或淡化危机。Under the context of new media,the language of new poetry tends to be colloquial due to the influence of"online discourse",and has even triggered a wave of"oral poetry".The colloquialism of poetic language has narrowed the distance between poetry and readers to some extent,but excessive colloquialism can make poetry vulgar,obscene,and unreadable.Faced with this tendency,poets use paradoxes,metaphors,ironies and other rhetorical devices and intellectual communication to"tame"spoken language and make it poetic,constructing a strong tension in poetic language,thus launching an exploration and attempt of poetic language strategies in the context of new media.To some extent,they have managed to avoid the crisis of damaging or downplaying the poetic nature of new poetic language due to excessive colloquialism.

关 键 词：新媒体 新诗 语言策略 日常口语 诗化 

分 类 号：I207.25[文学—中国文学]