史料作为方法——中国现代美术史料发掘与研究方法刍议  

Taking Historical Sources as Methods: Discussion on the Methods of Exploring and Studying Historical Sources of Modern Chinese Art

作　　者：路贝 Lu Bei(Central Academy of Fine Arts)

机构地区：[1]中央美术学院

出　　处：《美术》2024年第7期136-139,共4页Art Magazine

摘　　要：作为中国美术史不可或缺的一部分,中国现代美术在史料发掘与研究方法上均有其独特性。在史料方面,它具有种类丰富、数量庞大、发掘途径多等特点。在研究方法上,中国现代美术研究的本位属性、多元状况以及方法的局限性须要得到重视。而将二者相连接,“史料作为方法”已然成为中国现代美术研究的重要路径。Modern Chinese art, as an indispensable part of Chinese art history, is unique when it comes to the methods of exploring and studying historical sources. Its historical sources are various in kind, large in number and can be explored through multiple methods. When they are studied, the original attributes, diverse conditions and limitations of methods need to be taken seriously. Combining the two, namely “taking historical sources as methods”, has become an important way for studying modern Chinese art.

关 键 词：中国现代美术史 史料 研究方法 

分 类 号：J120.9[艺术—艺术理论]