美在自然向人敞开中生成——评《自然美和艺术美的同一性》  

Beauty Generated in Nature Opening to Human Being--A Comment on The Identity of Natural Beauty and Artistic Beauty

作　　者：白杨 史晓林[1] BAI Yang;SHI Xiaolin(College of Chinese Language and Literature,Henan University,Kaifeng 475001,China)

机构地区：[1]河南大学文学院,河南开封475001

出　　处：《洛阳理工学院学报（社会科学版）》2024年第4期65-69,共5页Journal of Luoyang Institute of Science and Technology：Social Science Edition

摘　　要：如画既是自然审美经验中的一个审美常识,同时也是美学史上的重要范畴。作为一种审美观念,如画缘于以自然风景为主要对象的绘画创作。王中原的《自然美和艺术美的同一性——对风景如画的美学探究》以“风景如画”这一司空见惯的审美常识为着眼点,从4个层面对如画的美学根据展开探究,揭示如画对探究自然美与艺术美同一性关系的重要性。风景如画对自然美与艺术美同一性关系的揭示,既对自然审美的当代发展与完整形态的美学思想建构具有重要的理论意义,也为当下自然生态环境恢复工作的开展以及现代人克服精神困境、复归人性的本来面貌提供相应的指引。Picturesqueness is not only an aesthetic common sense in natural aesthetic experience,but also an important category in the history of aesthetics.As an aesthetic concept,picturesqueness is created due to the painting creation with natural landscape as the main object.In the book"The Identity of Natural Beauty and Artistic Beauty-An Aesthetic Inquiry into Picturesque Landscapes",WANG Zhongyuan,with a focus on the common sense of aesthetic experience of"picturesque landscapes",explores the aesthetic basis of picturesqueness from four levels and reveals the importance of picturesqueness in exploring the identity relationship between natural beauty and artistic beauty,which not only is of important theoretical significance for the contemporary development of natural aesthetics and the construction of aesthetic thoughts in a complete form,but also provides corresponding guidance and enlightenment for the current restoration of natural ecological environment and the original appearance of modern people to overcome spiritual difficulties and return to human nature.

关 键 词：如画 自然审美 文化观念 存在主义现象学 

分 类 号：B83-0[哲学宗教—美学]