姿态与姿势的对话:德勒兹与阿甘本电影观念的交汇和碰撞  

The Dialogue between Gest and Gesture:Intersections of Deleuze and Agamben's Film Theories

作　　者：张雨蒙 Zhang Yumeng

机构地区：[1]北京大学 [2]中国文联电影艺术中心

出　　处：《电影艺术》2024年第4期36-42,共7页Film Art

基　　金：国家社科基金艺术学项目“身体影像溯源——论京剧对当代动作电影的美学影响”(项目编号:20CC169)阶段性成果。

摘　　要：姿态与姿势共同构成了一个相关又独立的意义星丛。姿态观念在德勒兹理论体系中并不占据主导地位,但却可以通过它连接柏格森的时间哲学与德勒兹的电影理论。姿势在阿甘本的思想中则超越了审美的范畴,被归为伦理政治的领域。两位哲学家在不同的理论框架内讨论姿态/姿势,虽然他们的理解有相近之处,但由于二者潜在的哲学根基——时间观念——不甚相同,致使他们在对姿态/姿势的功能及价值判断上也产生了根本差异。The gest and gesture together form a related yet independent constellation of meanings.The concept of gest does not hold a central role in Deleuze's theoretical system,but it serves to bridge Bergson's philosophy of time with Deleuze's film theory.Gesture,in Agamben's thought,transcends the realm of aesthetics and is classified as the domain of ethical politics.The two philosophers discuss gest/gesture within different theoretical frameworks,and although their understandings have similarities,due to the underlying philosophical foundation-conceptions of time-being different,they fundamentally differ in their judgments of the function and value of gest/gesture.

关 键 词：姿态 姿势 德勒兹 阿甘本 时间观念 表意功能 

分 类 号：J90-02[艺术—电影电视艺术]