南宋湖州《思溪藏》的刊刻历程  

An Analysis of the Engraving Process of Sixi Canon in Huzhou during the Southern Song Dynasty

作　　者：李周渊 Li Zhouyuan(School of Literature,Zhejiang University,Hangzhou 310058,China)

机构地区：[1]浙江大学文学院,浙江杭州310058

出　　处：《浙江大学学报（人文社会科学版）》2024年第5期131-146,共16页Journal of Zhejiang University:Humanities and Social Sciences

基　　金：国家社会科学基金青年项目(23CZJ006)。

摘　　要：南宋湖州刻有五千多卷的佛教大藏经《思溪藏》,但其刊刻历程长期存在争议。综合世界各地的多个印本,可以梳理出《思溪藏》刊刻的三个阶段。第一,在靖康元年前后,刚落成的圆觉禅院收到各方布施的经卷。后来刊刻时,部分以这些经卷作为底本,因此出现了刻本中残留写手题记以及部分函次体例特殊的情况。第二阶段,王氏家族注入资金,刻藏工程有了统一的规划,明确以《福州藏》为底本,寺院内部刻印了少量带有试验性质的经典。试验成功后,在绍兴二年正式宣布刊刻全藏,并留下刊刻记录。第三阶段,全藏经板出现损毁,于是覆刻民间流行的单行本,且大致在嘉熙、淳祐年间又在当地居民布施下对部分板片进行了修补。《思溪藏》刊刻历程的新发现,为研究写本到刻本的过渡以及刻本藏经的形成提供了新的视角。The Sixi Canon(思溪藏) is a Buddhist canon engraved during the Southern Song Dynasty in Huzhou.There are currently several relatively complete editions of this canon found worldwide.Studying this canon is of significant importance for understanding the dissemination of the religious texts in the southern region and the production process of large ancient book series.However,due to past material limitations,our understanding of its engraving history has been unclear.Through comprehensive research on collections from around the world,we have gained new insights by examining various aspects such as the characteristics of the script,content of colophons,presence or absence of phonetic annotations,nature of the publication records,and the table of contents.Currently,we can divide the engraving history of the Sixi Canon into three stages.The first stage occurred around the first year of Jingkang(1126) when the newly constructed Yuanjue Temple received donated scriptures from various sources.Some of these scriptures were used as source texts during the engraving,resulting in residual inscriptions by scribes and peculiar notation formats in the printed edition.In the second stage,the Wang family provided funding,and the canon engraving project was unified and planned,specifically using the Fuzhou Canon( 福 州 藏) as the source text.A small number of experimental classics were printed within the temple.After the successful experiment,the complete canon was officially announced to be engraved in the second year of Shaoxing(1132),and engraving records were left behind.In the third stage,during the Jiaxi and Chunyou reigns(1239-1250),the canon suffered damage,leading to the re-engraving of offprint editions that were circulating among the public.Some damaged blocks were repaired through donations from local residents.These new discoveries provide a fresh perspective on the transition from manuscript to engraved canon and the formation of engraved canon collections.Based on the research in this article,we can summarize

关 键 词：《思溪藏》 《福州藏》 刊记 写本 刻工 字体 

分 类 号：G256[文化科学—图书馆学] K245[历史地理—历史学] B94[历史地理—中国史]