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作 者:徐杰[1] XU Jie(School of Chinese Language and Literature,Southwest Minzu University,Chengdu 610041)
机构地区:[1]西南民族大学中国语言文学学院,成都610041
出 处:《江汉学术》2024年第4期96-106,共11页JIANGHAN ACADEMIC
基 金:国家社科基金项目“语境诗学的理论流变与当代价值研究”(19FZWB028)。
摘 要:“语境诗学”的理论构建与多媒介时代的文艺现实相契合,也与21世纪文艺理论的学术趋势相一致。“文学语境”的概念界定为维度构建规定了基本内涵,即其关系性、意义性和场域性。中西方文论中语境观念的迭代形成了文学语境的四个内在维度:“文内语境”强调文学作品内部结构的有机性形成的相对独立的语境域;“情境语境”关注的是文学意义发生的“现场性”语境维度;“世界语境”指与文学作品价值相关的非语言性语境维度;“间性语境”则是在不同语境维度间形成的“组成性”“变化性”和“关系性”的关联语境。语境维度之间并非“关节式”的“衔接”关系,而是“流水式”的“相通”关系。这种关系在强调整体性、生命性和直觉性的中国古典诗学中可以得到有效的本体论支撑。The theoretical construction of a contextual poetics is consistent with the reality of literature and art in the multi-media era,and also with the academic trend of literature and art theories in the 21st century.Defining the concept of literary context stipulates the basic connotation of its dimension construction,that is,its relationship,meaning,and field.The iteration of the concept of context in Chinese and Western literary theories has formed four internal dimensions of literary context:The intratextual context emphasizes the relatively independent context domain formed by the organic nature of the internal structure of literary works;situational context is concerned with the“scene”dimension when literary meaning is generated;world context refers to the non-linguistic dimension related to the value of literary works;and inter-contextual context is the relevant compositional,variable,and relational context formed between different context dimensions.The relationship between the aforementioned context dimensions is not one like a“joint,”but one like the“flowing water.”This relationship can be effectively supported by the ontology of Chinese classical poetics,which emphasizes wholeness,life,and intuition.
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