囊玛艺术新论  

A New Perspective on Nangma Art

作　　者：觉嘎[1] 洛金宝 Jue Ga;Luo Jinbao

机构地区：[1]西藏大学艺术学院,拉萨850000

出　　处：《西藏研究》2024年第3期66-76,M0005,M0006,共13页Tibetan Studies

基　　金：2019年度国家社科基金重大项目“环喜马拉雅艺术图谱绘制”(项目编号:19ZDA045)阶段性成果。

摘　　要：囊玛是一种集歌、舞、乐为一体的西藏传统表演艺术,而囊玛吉度是以囊玛艺术的实践为主要业务的行会组织。作为群众自发形成的社团组织,囊玛吉度形成背景和艺人来源具有多元化,其使用的乐器和表演的典目具有多样性。囊玛的表现内容主要包括爱情、时事、祈愿、赞颂、讽刺等内容,大多与不同时期的社会生活、观念意识等关联密切。在囊玛曲目中,有部分歌词采用了仓央嘉措的诗作,汉文关联表达和双关语也得到了广泛运用。Nangma is a traditional performing art from Tibet that combines song,dance,and music and Nangma Gyiduk is a guild organization whose primary goal is the practice of Nangma art.Being a community organization that was created on a whim by the general public,the performers’ backgrounds and sources of inspiration,as well as the instruments they play and the repertoire they present,are all varied.Love,current events,prayers,praise,comedy,and other topics are among the expressions found in Nangma,most of which are strongly connected to social life and ideas.Nangma’s repertory includes jokes and Chinese idioms,as well as lyrics that draw inspiration from Cangyang Gyatso’s poetry.

关 键 词：传统音乐 囊玛 囊玛吉度 曲目 

分 类 号：J0[艺术—艺术理论]