从意境美到灵境美:数智科技潮流影响下的审美裂变  

From the Beauty of Artistic Conception to the Beauty of Virtual Reality:Aesthetic Fission Under the Influence of the Trend of Digital Technology

作　　者：何志钧 HE Zhijun(School of Humanities,Nanchang University,Nanchang 330000,China)

机构地区：[1]南昌大学人文学院,南昌330000

出　　处：《鲁东大学学报（哲学社会科学版）》2024年第4期41-47,共7页Ludong University Journal:Philosophy and Social Sciences Edition

基　　金：国家社会科学基金项目“数字美学理论话语建构研究”(19BZW027)。

摘　　要：随着文艺、审美实践从传统纸质文学文本越来越多地转向超文本、虚拟现实泛文艺、沉浸文旅产品,受众遭遇的不再完全是传统的基于二维平面存在方式、特定上下文语境和心灵作用在头脑中构画出的“意境”,他们面对的更多的是一种可以身在其中、沉浸操控、与行为同步一体、全觉联动、几可乱真的多维“灵境”。灵境美与意境美植根的文化心理、具有的运思方式、体现的审美追求大为不同。意境是有机的、不可计算的、非程序化的,而灵境则是无机的、可计算的,灵境美使审美的计算转化问题空前凸显。但灵境美和意境美具有盘根错节的复杂关系,难以断然割裂。灵境美既是意境美的必要补充,也是一种重新出发和重新发明。As literature and art,and aesthetic practices increasingly change from the traditional paper-based literature text to the hypertext,pan-literature and art of virtual reality,and immersed cultural and tourism products,the audience encounter not only the“artistic conception”constructed in the mind on the basis of the existence way of two-dimensional plane,specific context and mental action,but also the synchronous with action,linked with all feelings,good enough to pass for genuine and multi-dimensional“virtual reality”where people are immersed and can exert control.The beauty of virtual reality and that of artistic conception are greatly different in the rooted cultural psychology,possessed thinking mode and embodied aesthetic pursuit.The artistic conception is organic,incalculable and non-programmed,while the virtual reality is inorganic and calculable.The beauty of virtual reality makes the transformation problem of aesthetic calculation more prominent than ever.However,the beauty of virtual reality and that of artistic conception have a deep-rooted relationship,and are difficult to be completely separated.The beauty of virtual reality is not only the necessary supplement of the beauty of artistic conception,but also a kind of re-start and re-invention.

关 键 词：灵境 意境 审美 

分 类 号：B83-0[哲学宗教—美学]