幽灵舞翩跹:伊迪斯·华顿个体化历程的哥特式书写  

The Dance of Spirits:Gothic Writing of Edith Wharton’s Individualism

作　　者：黄如敏[1] HUANG Rumin(School of Foreign Languages,Quanzhou Normal University,Quanzhou Fujian 362000,China)

机构地区：[1]泉州师范学院外国语学院,福建泉州362000

出　　处：《泉州师范学院学报》2024年第3期23-30,共8页Journal of Quanzhou Normal University

摘　　要：哥特小说创作贯穿华顿40多年的职业生涯,既记录她不同时期的小说创作思想与技巧,又展现其日臻成熟的女性自我认知。华顿哥特小说的叙事主体经由在沉默中消失的淑女到在逃避自我中迷失的懦弱男性终至成长为人格完整的成熟个体,他们随着潜藏于文本中的幽灵翩跹起舞,在野蛮与文明、浑沌与秩序、冲动与压抑的对抗中获得圆满的自我。在荣格个体化历程理论的观照下,这些叙事主体的身份变迁是华顿从被囿于老纽约上层社会金字塔的淑女成长为叱咤美国文坛的女性小说家的个体化历程的哥特式书写。The creation of Gothic novels lasts through Wharton’s writing career of over forty years.It not only demonstrates the development of her creative thoughts and techniques but also records her self-awareness at different life stags.In the context of Jung’s Individualism,the speaking subjects of her Gothic novels dance with the spirits lurking in the text.They evolve from silent ladies,through self-deceived males into mature individuals in the conflicts between brutality and civilization,chaos and order,impulse and repression.The psychological growth process of these speaking subjects is the Gothic writing of the individualism course of Wharton,who was raised as a upper class lady confined to the old New York but finally grew into an influential American writer.

关 键 词：伊迪斯·华顿 个体化历程 哥特小说 荣格 

分 类 号：I106.4[文学—世界文学]